Youll Never Eat Lunch in This Town Again Audiobook
 Front end embrace of the first edition (hardcover, Random Firm) | |
| Author | Julia Phillips |
|---|---|
| Country | United States |
| Language | English language |
| Genre | Autobiography |
| Published | 1991 (Random Business firm) |
| Pages | 573 |
| ISBN | 978-0-394-57574-2 |
| OCLC | 21524019 |
| Dewey Decimal | 791.43/0232/092 B 20 |
| LC Form | PN1998.3.P47 A3 1990 |
You lot'll Never Eat Lunch in This Boondocks Again is an autobiography by Julia Phillips, detailing her career as a picture producer and disclosing the ability games and debauchery of New Hollywood in the 1970s and 1980s. Information technology was beginning published in 1991 and became an immediate cause célèbre and bestseller. The book was reissued in 2002 subsequently the author's expiry.
Background [edit]
In partnership with her husband Michael, Julia Phillips was one of the well-nigh successful movie producers in Hollywood during the 1970s. Their 2d moving-picture show, The Sting, grossed almost $160 million and won 7 University Awards, making Julia the outset adult female to win a Best Picture Oscar.[1] [2] Their third film, Taxi Driver, brought them a second Oscar nomination and won the Palme d'Or in 1976. In 1977 they co-produced their most financially successful motion-picture show, Steven Spielberg's $300 million-grossing Close Encounters of the Third Kind.
Even so, Julia had long indulged in a self-destructive lifestyle of excessive drug consumption, and it had begun to affect her piece of work. François Truffaut, one of French cinema's most iconic directors and a star of Close Encounters (playing "Claude Lacombe", a French government scientist in accuse of UFO-related activities in the United states), blamed her for that film's budget difficulties, and she was eventually fired during post-production because of her cocaine dependence.[3] [iv]
Phillips, by at present divorced, spent the following years on a downward spiral which included, past her own account, spending $120,000 on cocaine,[2] [v] before entering therapy to recover from her addiction.[6] Then, in 1988, having been out of Hollywood for eleven years, she sold all her assets to produce The Vanquish,[half dozen] nigh a kid in a tough neighbourhood trying to teach poetry to local gangs. It was a critical and commercial disaster, grossing less than $5,000 at the box office,[7] and Phillips turned to penning her scathing memoir to escape her financial difficulties.[2] [viii]
Synopsis [edit]
The book begins by briefly introducing the reader to Phillips in 1989, before quickly travelling back to her childhood in 1940s Brooklyn.[ix] Information technology then covers her early life and first successes in the moving-picture show industry: she and Michael earned $100,000 from their debut feature, Steelyard Blues, moved to Malibu, California, and had a daughter, Kate.[8] The most notorious capacity follow as Phillips enjoys her greatest career successes, peradventure most infamously when she recalls the amalgam of drugs she was under the influence of on the night she won her Oscar ("a diet pill, a small-scale amount of coke, two joints, half-dozen halves of Valium, and a glass and a half of vino").[2] [viii] [10] She also reveals the personal peccadillos and vices of the biggest Hollywood A-listers of the twenty-four hours, including Steven Spielberg, Martin Scorsese, Richard Dreyfuss, Goldie Hawn, and David Geffen. Many of these people were pivotal figures in the emergence of New Hollywood in the 1960s and '70s, just Phillips disparagingly refers to them every bit "a rogues' gallery of nerds".[six] [xi] Subsequently episodes in her life, including freebasing, and her calumniating human relationship with a trigger-happy drug addict which caused her to miss her own female parent'southward funeral, are also discussed candidly.[8]
"No one ever claimed that [Phillips] had got Hollywood incorrect in her book. In which case, you accept to requite a piddling more than credence to the theory that Hollywood is prepared to let the club exist run past raving egotists, indictable rascals, desperate addicts of i thing or several others, betrayers, connivers, hypocrites, and foul-mouthed swine. So long as they are guys."
David Thomson, The Independent, 13 January 2002.[12]
Well-nigh significant, from Phillips' own bespeak of view, is her exposé of the "Boys' Club" in the higher echelons of Hollywood, where she claimed it was her gender that led to her ultimate ostracism.[xi] "If I had been a man, they would accept closed ranks around me", she said, referring to her drug addiction. "They hated the woman thing. And I wasn't fifty-fifty regarded as a woman, I was a daughter."[5] Writing about her in The Independent in 2002, film critic David Thomson expressed Phillips' mental attitude as: "you [Hollywood] guys don't have women seriously; you like united states around... [only] nosotros aren't allowed to exist players".[12] Those same few men, similar "Valley viper"[13] Mike Ovitz who headed the Creative Artists Agency were, in her eyes, responsible for a qualitative turn down in standards and the increasing boiler of movies since the 1970s.[4] [fourteen]
Reception [edit]
On its release most critics agreed that the book was both scandalous and career-catastrophe. (Even with a quarter of the 1,000-page original manuscript excised,[8] it took lawyers at Random House fourteen months to approve it for publication.[2] [6]) Lewis Cole, in The Nation, described it as being "[not] written simply spat out, a breakneck, formless functioning piece...propelled by spite and vanity".[15] Newsweek'southward review called it a "573-folio primal scream",[16] while 1 Hollywood producer said information technology was "the longest suicide note in history".[6] In the 2003 documentary version of Easy Riders, Raging Bulls, based on Peter Biskind's 1998 anecdotal history of New Hollywood, Richard Dreyfuss recalled his initial fury at Phillips' revelations, before more circumspectly listening to "a little voice within my head [saying] 'Richard, Richard, the truth was so much worse'."[17] Despite Phillips' criticisms of Steven Spielberg in the volume, Spielberg nevertheless invited her to a 1997 screening of Shut Encounters of the Third Kind as a way of "keeping his friends shut and his enemies closer."[eighteen] Rapper Tupac Shakur misquotes the championship of the volume in a Vibe interview in 1996, stating briefly that it was one of the books he read recently. "Y'all'll Never Work Again in Hollywood, whatever that is that they're talking about, all the people that slept together." [19]
After Phillips' expiry from cancer in 2002 the volume was reissued in paperback by Faber and Faber,[twenty] and gained renewed attention. Tim Appelo wrote in his Salon.com tribute that it was "mordant, merciless, [and] outdid Capote in shrieking truth to decadent power",[21] while David Thomson of The Independent praised it equally "compulsive, hilarious entertainment".[12] [ expressionless link ]
Commercially, Phillips' memoir became an enormous success. Information technology quickly moved to the summit of the New York Times Non Fiction Best Seller list and stayed at No. i for thirteen weeks.[22] [23] Additionally, several prominent Los Angeles bookstore owners reported it to be the fastest-selling book they had ever seen.[8] [13] Only Phillips was excoriated by Hollywood, and her autobiography's publication cost her the chance to adjust Anne Rice's Interview with a Vampire with David Geffen.[5] [8] [24] Furthermore, in an example of life imitating art, pre-eminent Los Angeles eating house Morton's fulfilled the book's titular prediction by declining her hereafter patronage.[two] [5]
Shortly earlier her death, when asked if she had been too savage in her writing, Phillips replied, "We all have our standards. People behaved in an ugly and despicable mode towards me. I felt no constraints. Nothing I did in my book is as hateful as any of the people I wrote about."[2] [6] She was similarly unrepentant about her subsequent expatriation, saying, "I wasn't a pariah because I was a drug-addicted, alcoholic, rotten person and not a good mother. I was a pariah because I hit them with a harsh, fluorescent light and rendered them as contemptible as they truly are."[2] [6]
References [edit]
- ^ "Oscar-winner Phillips dies". BBC. January 3, 2002.
- ^ a b c d e f chiliad h Weinraub, Bernard (January three, 2002). "Julia Phillips, 57, Producer Who Assailed Hollywood, Dies". The New York Times.
- ^ McBride, Joseph (1997). Steven Spielberg: A Biography . New York Urban center: Simon & Schuster. pp. 528. ISBN978-0-684-81167-3.
- ^ a b Hodgman, George (March 22, 1991). "Y'all'll Never Eat Lunch in This Town Once more – Volume Review". Entertainment Weekly.
- ^ a b c d Friedman, Roger (Apr 12, 1991). "Without Reservations". Amusement Weekly (61).
- ^ a b c d e f thou Vallance, Tom (January five, 2002). "Julia Phillips – Obituaries, News". The Independent. UK. Archived from the original on February 4, 2011. Retrieved September nineteen, 2017.
- ^ "The Beat out (1988)". Yahoo! Movies. Archived from the original on March half dozen, 2007.
- ^ a b c d east f thou Wadler, Joyce (March 18, 1991). "A Hollywood Outcast Treats the Stars to An Acrid-Dip Memoir". People mag. 35 (10).
- ^ Turner, Caroline (December 31, 2002). "Review: You lot'll Never Consume Luncheon in this Town Once again". M2 Best Books.
- ^ "Gold fever: Oscar nighttime – and how to relish it". The Guardian. United kingdom. March 17, 2000.
- ^ a b Benatar, Giselle (November 16, 1990). "'Lunch' Dish". Amusement Weekly (forty).
- ^ a b c Thomson, David (January thirteen, 2002). "Motion-picture show Studies: Tiffin will never be the same in that boondocks again". The Contained. UK. Archived from the original on June 14, 2010.
- ^ a b Rohter, Larry (March xiv, 1991). "Hollywood Memoir Tells All, And Many Don't Want to Hear". The New York Times.
- ^ Bach, Steven (March 17, 1991). "Hollywood Chainsaw Massacre". The New York Times.
- ^ Cole, Lewis (June 1991). "You lot'll Never Eat Lunch in this Boondocks Again (book reviews)". The Nation.
- ^ Foote, Donna (March 25, 1991). "The Bad And Non So Beautiful". Newsweek.
- ^ Ansen, David (May viii, 2003). "That '70s Moving picture". Newsweek.
- ^ Dubner, Stephen J. "Steven the Proficient".
- ^ "Tupac Shakur: The Lost VIBE Interview (May '96)". Vibe.com.
- ^ Yous'll Never Swallow Tiffin in This Town Again (Paperback). ASIN 0571216234.
- ^ Appelo, Tim (January 17, 2002). "Julia Phillips, queen of the night". Salon.com. Archived from the original on October 27, 2008.
- ^ "Adult New York Times Best Seller Lists for Apr seven, 1991" (.pdf). Hawes Publications.
- ^ "Adult New York Times Best Seller Lists for June 23, 1991" (.pdf). Hawes Publications.
- ^ Jacobs, Alexandra (June 7, 1996). "Truth and Consequences". Entertainment Weekly (330).
Source: https://en.wikipedia.org/wiki/You%27ll_Never_Eat_Lunch_in_This_Town_Again
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